Fowler Museum presents Earth Matters: Land as Material and Metaphor in the Arts of Africa
Opening Wednesday, April 23rd 12PM – 5PM during art weekend LA.
Culture Fix: Allen Roberts on the Earth as Medium at 12PM
Across Africa, artists have found inspiration in the earth’s clay, pigments, plants, and stone. For this opening day gallery talk, UCLA World Arts and Cultures professor Allen Roberts visits Earth Matters to explore how these materials express cultural identity and provide connections to earlier generations. Presented in conjunction with UCLA’s 10th Earth Day Fair, organized by E3 and UCLA Sustainability.
Show Runs Through: April 23rd – September 14th
Group Show Earth Matters: Land as Material and Metaphor in the Arts of Africa
The news today is replete with reports on territorial disputes, resource extraction, and other forces that impact and endanger the environment. These timely issues are explored in Earth Matters: Land as Material and Metaphor in the Arts of Africa, an exhibition opening at the Fowler Museum at UCLA on Earth Day, Apr. 22nd 2014.
In Earth Matters, works of art examine the conceptually complex and visually rich relationship between individuals and communities in Africa and the land upon which they live. The exhibition features more than one hundred exceptional works from the 19th–21st centuries, including powerful ritual sculpture and masks as well as paintings, photographs, videos, and sculpture by forty-one internationally recognized and emerging contemporary artists from the continent and its diasporas—among them Ghada Amer, El Anatsui, Sammy Baloji, Wangechi Mutu, Allan deSouza, Ingrid Mwangi, and William Kentridge.
Earth Matters invites visitors to consider the earth in Africa as a sacred or medicinal material, the site of mining and burial, a source of inspiration, and an environment in need of protection. It is the first major exhibition to approach this topic with such geographic breadth, chronological depth, and artistic diversity.
The exhibition is organized into five thematic sections: The Material Earth, Power of the Earth, Imagining the Underground, Strategies of the Surface, and Art as Environmental Action.
- An imposing 19th century power figure from the Royal Museum of Central Africa in Belgium
- A finely modeled and rare terracotta figure that once belonged to a Nigerian association for community elders
- A figure from Tanzania used in healing rituals
- William Kentridge’s early film Mine (1991) exhibited alongside a charcoal drawing produced for the making of the film
- A towering wood sculpture incised with graphic symbols by El Anatsui, called Erosion (1992)
- A mixed-media work lamenting the effects of war, We are Destroying Planet Earth (2007), by Ghada Amer and Reza Farkhondeh
Earth Matters: Land as Material and Metaphor in the Arts of Africa is curated by Karen E. Milbourne and organized by the Smithsonian Institution’s National Museum of African Art, Washington, D.C. Major sponsorship for Earth Matters is provided by the government of the Gabonese Republic. The Los Angeles presentation is made possible through the generosity of the Barbara and Joseph Goldenberg Fund, the Shirley and Ralph Shapiro Director’s Discretionary Fund, and Manus, the support group of the Fowler Museum. Public and family programs are made possible by the Jerome L. Joss Fund and the UCLA Dream Fund. Special thanks to our colleagues at the UCLA Institute of the Environment and Sustainability.
A fully illustrated publication accompanying the exhibition will be for sale in the museum store. Written by Milbourne, the volume included artist’s statements by Clive Van den Berg, Wangechi Mutu, Alan deSouza and George Osodi.